Britannica History of Greece

3. The Homeric Age—Alike in Crete and on the mainland the civilization disclosed by excavation comes abruptly to an end. In Crete we can trace it back from c. 1200 b.c. to the Neolithic period. From the Stone Age to the end of the Minoan Age the development is continuous and uninterrupted. But between the culture of the Early Age and the culture of the Dorians, who occupied the island in historical times, no connection whatever can be established. Between the two there is a great gulf fixed. It would be difficult to imagine a greater contrast than that presented by the rude life of the Dorian communities in Crete when it is compared with the political power, the material resources and the extensive commerce of the earlier period. The same gap between the archaeological age and the historical exists on the mainland also. It is true that the solution of continuity is here less complete. Mycenaean art continues, here and there, in a debased form down to the 9th century, a date to which we can trace back the beginnings of the later Greek art. On one or two lines (e.g. architecture) it is even possible to establish some sort of connection between them. But Greek art as a whole cannot be evolved from Mycenaean art. We cannot bridge over the interval that separates the latter art, even in its decline, from the former. It is sufficient to compare the “dipylon” ware (with which the process of development begins, which culminates in the pottery of the Great Age) with the Mycenaean vases, to satisfy oneself that the gulf exists. What then is the relation of the Heroic or Homeric Age (i.e. the age whose life is portrayed for us in the poems of Homer) to the Earliest Age? It too presents many contrasts to the later periods. On the other hand, it presents contrasts to the Minoan Age, which, in their way, are not less striking. Is it then to be identified with the Mycenaean Age? Schliemann, the dis­coverer of the Mycenaean culture, unhesitatingly identified Mycenaean with Homeric. He even identified the shaft‑graves of Mycenae with the tombs of Agamemnon and Clytemnestra. Later inquirers, while refusing to discover so literal a corre­spondence between things Homeric and things Mycenaean, have not hesitated to accept a general correspondence between the Homeric Age and the Mycenaean. Where it is a case of comparing literary evidence with archaeological, an exact coincidence is not of course to be demanded. The most that can be asked is that a general correspondence should be estab­lished. It may be conceded that the case for such a correspond­ence appears prima facie a strong one. There is much in Homer that seems to find confirmation or explanation in Schliemann’s finds. Mycenae is Agamemnon’s city; the plan of the Homeric house agrees fairly well with the palaces at Tiryns and Mycenae; the forms and the technique of Mycenaean art serve to illustrate passages in the poems; such are only a few of the arguments that have been urged. It is the great merit of Professor Ridge­way’s work (The Early Age of Greece) that it has demonstrated, once and for all, that Mycenaean is not Homeric pure and simple. He insists upon differences as great as the resemblances. Iron is in common use in Homer; it is practically unknown to the Mycenaeans. In place of the round shield and the metal armour of the Homeric soldier, we find at Mycenae that the warrior is lightly clad in linen, and that he fights behind an oblong shield, which covers the whole body; nor are the chariots the same in form. The Homeric dead are cremated; the Mycenaean are buried. The gods of Homer are the deities of Olympus, of whose cult no traces are to be found in the Mycenaean Age. The novelty of Professor Ridgeway’s theory is that for the accepted equation, Homeric = Achaean = Mycenaean, he proposes to substitute the equations, Homeric = Achaean = post‑Mycenaean, and Mycenaean = pre‑Achaean = Pelasgian. The Mycenaean civilization he attributes to the Pelasgians, whom he regards as the indigenous population of Greece, the ancestors of the later Greeks, and themselves Greek both in speech and blood. The Homeric heroes are Achaeans, a fair‑haired Celtic race, whose home was in the Danube valley, where they had learned the use of iron. In Greece they are newcomers, a conquering class comparable to the Norman invaders of England or Ireland, and like them they have acquired the language of their subjects in the course of a few generations. The Homeric civilization is thus Achaean, i.e. it is Pelasgian (Mycenaean) civilization, appropriated by a ruder race; but the Homeric culture is far inferior to the Mycenaean. Here, at any rate, the Norman analogy breaks down. Norman art in England is far in advance of Saxon. Even in Normandy (as in Sicily), where the Norman appropriated rather than introduced, he not only assimilated but developed. In Greece the process must have been reversed.

The theory thus outlined is probably stronger on its destructive side than on its constructive. To treat the Achaeans as an immigrant race is to run counter to the tradition of the Greeks themselves, by whom the Achaeans were regarded as indigenous (cf. Herod. viii. 73). Nor is the Pelasgian part of the theory easy to reconcile with the Homeric evidence. If the Achaeans were a conquering class ruling over a Pelasgian population, we should expect to find this difference of race a prominent feature in Homeric society. We should, at least, expect to find a Pelasgian background to the Homeric picture. As a matter of fact, we find nothing of the sort. There is no consciousness in the Homeric poems of a distinction of race between the governing and the subject classes. There are, indeed, Pelasgians in Homer, but the references either to the people or the name are extraordinarily few. They appear as a people, presumably in Asia Minor, in alliance with the Trojans; they appear also, in a single passage, as one of the tribes inhabiting Crete. The name survives in “Pelasgicon Argos,”  which is probably to be identified with the valley of the Spercheius, and as an epithet of Zeus of Dodona. The population, however, of Pelasgicon Argos and of Dodona is no longer Pelasgian. Thus, in the age of Homer, the Pelasgians belong, so far as Greece proper is concerned, to a past that is already remote. It is inadmissible to appeal to Herodotus against Homer. For the conditions of the Homeric age Homer is the sole authoritative witness. If, however, Professor Ridgeway has failed to prove that “Mycenaean” equals “Pelasgian,” he has certainly proved that much that is Homeric is post‑Mycenaean. It is possible that different strata are to be distinguished in the Homeric poems. There are passages which seem to assume the conditions of the Mycenaean age; there are others which presuppose the conditions of a later age. It may be that the latter passages reflect the circumstances of the poet’s own times, while the former ones reproduce those of an earlier period. If so, the substitution of iron for bronze must have been effected in the interval between the earlier and the later periods.

It has already been pointed out that the question whether the makers of the Minoan and Mycenaean civilizations were  Greeks must still be regarded as an open one. No such question can be raised as to the Homeric Age. The Achaeans may or may not have been Greek in blood. What is certain is that the Achaean Age forms an integral part of Greek history. Alike on the linguistic, the religious and the political sides, Homer is the starting‑point of subsequent developments. In the Greek dialects the great distinction is that between the Doric and the rest. Of the non­-Doric dialects the two main groups are the Aeolic and Ionic, both of which have been developed, by a gradual process of differentiation, from the language of the Homeric poems. With regard to religion it is sufficient to refer to the judgment of Herodotus, that it was Homer and Hesiod who were the authors of the Greek theogony . . . . It is a commonplace that Homer was the Bible of the Greeks. On the political side, Greek constitutional development would be unintelligible without Homer. When Greek history, in the proper sense, begins, oligarchy is almost universal. Every­where, however, an antecedent stage of monarchy has to be presupposed. In the Homeric system monarchy is the sole form of government; but it is monarchy already well on the way to being transformed into oligarchy. In the person of the king are united the functions of priest, of judge and of leader in war. He belongs to a family which claims divine descent and his office is hereditary. He is, however, no despotic monarch. He is compelled by custom to consult the council (boule) of the elders, or chiefs. He must ask their opinion, and, if he fails to obtain their consent, he has no power to enforce his will. Even when he has obtained the consent of the council, the proposal still awaits the approval of the assembly (agora), of the people.

Thus in the Homeric state we find the germs not only of the oligarchy and democracy of later Greece, but also of all the various forms of constitution known to the Western world. And a monarchy such as is depicted in the Homeric poems is clearly ripe for transmutation into oligarchy. The chiefs are addressed as kings . . ., and claim, equally with the monarch, descent from the gods. In Homer, again, we can trace the later organization into tribe (tulh), clan (genos), and phratry, which is characteristic of Greek society in the historical period, and meets us in analogous forms in other Aryan societies. The genos corresponds to the Roman gens, the tulh to the Roman tribe, and the phratry to the curia. The importance of the phratry in Homeric society is illustrated by the well‑known passage (Iliad ix. 63) in which the outcast is described as “one who belongs to no phratry” (atrhtor). It is a society that is, of course, based upon slavery, but it is slavery in its least repulsive aspect. The treatment which Eumaeus and Eurycleia receive at the hands of the poet of the Odyssey is highly creditable to the humanity of the age. A society which regarded the slave as a mere chattel would have been impatient of the interest shown in a swineherd and a nurse. It is a society, too, that exhibits many of the distinguishing traits of later Greek life. Feasting and quarrels, it is true, are of more moment to the heroes than to the contemporaries of Pericles or Plato; but “music” and “gymnastic” (though the terms must be understood in a more restricted sense) are as distinctive of the age of Homer as of that of Pindar. In one respect there is retrogression in the historical period. Woman in Homeric society enjoys a greater freedom, and receives greater respect, than in the Athens of Sophocles and Pericles.