Agathon
on Love
“Indeed,
I am not going to attack you,” said Eryximachus, “for I thought your
speech charming, and did I not know that Agathon and Socrates are masters
in the art of love, I should be really afraid that they would have nothing
to say, after the world of things which have been said already. But, for
all that, I am not without hopes.”
Socrates
said: “You played your part well, Eryximachus; but if you were as I am
now, or rather as I shall be when Agathon has spoken, you would, indeed,
be in a great strait.”
“You
want to cast a spell over me, Socrates,” said Agathon, “in the hope
that I may be disconcerted at the expectation raised among the audience
that I shall speak well.”
“I
should be strangely forgetful, Agathon,“ replied Socrates, “of the
courage and magnanimity which you showed when your own compositions were
about to be exhibited, and you came upon the stage with the actors and
faced the vast theatre altogether undismayed, if I thought that your
nerves could be fluttered at a small party of friends.”
“Do
you think, Socrates,” said Agathon, “that my head is so full of the
theatre as not to know how much more formidable to a man of sense a few
good judges are than many fools?”
“Nay,”
replied Socrates, “I should be very wrong in attributing to you, Agathon,
that or any other want of refinement. And I am quite aware that if you
happened to meet with any whom you thought wise, you would care for their
opinion much more than for that of the many. But then we, having been a
part of the foolish many in the theatre, cannot be regarded as the select
wise; though I know that if you chanced to be in the presence, not of one
of ourselves, but of some really wise man, you would be ashamed of
disgracing yourself before him – would you not?”
“Yes,”
said Agathon.
“But
before the many you would not be ashamed, if you thought that you were
doing something disgraceful in their presence?”
Here
Phaedrus interrupted them, saying: “not answer him, my dear Agathon; for
if he can only get a partner with whom he can talk, especially a
good-looking one, he will no longer care about the completion of our plan.
Now I love to hear him talk; but just at present I must not forget the
encomium on Love which I ought to receive from him and from every one.
When you and he have paid your tribute to the god, then you may talk.”
“Very
good, Phaedrus,” said Agathon; “I see no reason why I should not
proceed with my speech, as I shall have many other opportunities of
conversing with Socrates. Let me say first how I ought to speak, and then
speak.”
“The
previous speakers, instead of praising the god Love, or unfolding his
nature, appear to have congratulated mankind on the benefits which he
confers upon them. But I would rather praise the god first, and then speak
of his gifts; this is always the right way of praising everything. May I
say without impiety or offence, that of all the blessed gods he is the
most blessed because he is the fairest and best? And he is the fairest:
for, in the first place, he is the youngest, and of his youth he is
himself the witness, fleeing out of the way of age, who is swift enough,
swifter truly than most of us like:-Love hates him and will not come near
him; but youth and love live and move together – like to like, as the
proverb says. Many things were said by Phaedrus about Love in which I
agree with him; but I cannot agree that he is older than Iapetus and
Kronos – not so; I maintain him to be the youngest of the gods, and
youthful ever. The ancient doings among the gods of which Hesiod and
Parmenides spoke, if the tradition of them be true, were done of Necessity
and not Love; had Love been in those days, there would have been no
chaining or mutilation of the gods, or other violence, but peace and
sweetness, as there is now in heaven, since the rule of Love began.”
“Love
is young and also tender; he ought to have a poet like Homer to describe
his tenderness, as Homer says of Ate, that she is a goddess and tender:
Her
feet are tender, for she sets her steps,
Not on the ground but on the heads of men
Herein
is an excellent proof of her tenderness, that she walks not upon the hard
but upon the soft. Let us adduce a similar proof of the tenderness of
Love; for he walks not upon the earth, nor yet upon skulls of men, which
are not so very soft, but in the hearts and souls of both god, and men,
which are of all things the softest: in them he walks and dwells and makes
his home. Not in every soul without exception, for Where there is hardness
he departs, where there is softness there he dwells; and nestling always
with his feet and in all manner of ways in the softest of soft places, how
can he be other than the softest of all things? Of a truth he is the
tenderest as well as the youngest, and also he is of flexile form; for if
he were hard and without flexure he could not enfold all things, or wind
his way into and out of every soul of man undiscovered. And a proof of his
flexibility and symmetry of form is his grace, which is universally
admitted to be in an especial manner the attribute of Love; ungrace and
love are always at war with one another. The fairness of his complexion is
revealed by his habitation among the flowers; for he dwells not amid
bloomless or fading beauties, whether of body or soul or aught else, but
in the place of flowers and scents, there he sits and abides. Concerning
the beauty of the god I have said enough; and yet there remains much more
which I might say. Of his virtue I have now to speak: his greatest glory
is that he can neither do nor suffer wrong to or from any god or any man;
for he suffers not by force if he suffers; force comes not near him,
neither when he acts does he act by force. For all men in all things serve
him of their own free will, and where there is voluntary agreement, there,
as the laws which are the lords of the city say, is justice. And not only
is he just but exceedingly temperate, for Temperance is the acknowledged
ruler of the pleasures and desires, and no pleasure ever masters Love; he
is their master and they are his servants; and if he conquers them he must
be temperate indeed. As to courage, even the God of War is no match for
him; he is the captive and Love is the lord, for love, the love of
Aphrodite, masters him, as the tale runs; and the master is stronger than
the servant. And if he conquers the bravest of all others, he must be
himself the bravest.”
“Of
his courage and justice and temperance I have spoken, but I have yet to
speak of his wisdom – and according to the measure of my ability I must
try to do my best. In the first place he is a poet (and here, like
Eryximachus, I magnify my art), and he is also the source of poesy in
others, which he could not be if he were not himself a poet. And at the
touch of him every one becomes a poet, even though he had no music in him
before; this also is a proof that Love is a good poet and accomplished in
all the fine arts; for no one can give to another that which he has not
himself, or teach that of which he has no knowledge. Who will deny that
the creation of the animals is his doing? Are they not all the works his
wisdom, born and begotten of him? And as to the artists, do we not know
that he only of them whom love inspires has the light of fame? – he whom
Love touches not walks in darkness. The arts of medicine and archery and
divination were discovered by Apollo, under the guidance of love and
desire; so that he too is a disciple of Love. Also the melody of the
Muses, the metallurgy of Hephaestus, the weaving of Athene, the empire of
Zeus over gods and men, are all due to Love, who was the inventor of them.
And so Love set in order the empire of the gods-the love of beauty, as is
evident, for with deformity Love has no concern. In the days of old, as I
began by saying, dreadful deeds were done among the gods, for they were
ruled by Necessity; but now since the birth of Love, and from the Love of
the beautiful, has sprung every good in heaven and earth. Therefore,
Phaedrus, I say of Love that he is the fairest and best in himself, and
the cause of what is fairest and best in all other things. And there comes
into my mind a line of poetry in which he is said to be the god who
Gives
peace on earth and calms the stormy deep,
Who stills the winds and bids the sufferer sleep.
This is he who
empties men of disaffection and fills them with affection, who makes them
to meet together at banquets such as these: in sacrifices, feasts, dances,
he is our lord-who sends courtesy and sends away discourtesy, who gives
kindness ever and never gives unkindness; the friend of the good, the
wonder of the wise, the amazement of the gods; desired by those who have
no part in him, and precious to those who have the better part in him;
parent of delicacy, luxury, desire, fondness, softness, grace; regardful
of the good, regardless of the evil: in every word, work, wish, fear-saviour,
pilot, comrade, helper; glory of gods and men, leader best and brightest:
in whose footsteps let every man follow, sweetly singing in his honour and
joining in that sweet strain with which love charms the souls of gods and
men. Such is the speech, Phaedrus, half-playful, yet having a certain
measure of seriousness, which, according to my ability, I dedicate to the
god.”
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