| Viewing the 
        Renaissance | 
    
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      |   
 | 
    
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      | Federico Zuccaro, Window of the Palazzo Zuccari, Rome,
        1592, 231 
 | Gardner 16 33 | 
    
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      | gardner 17 67 | gardner 17 59 | 
    
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      | Giambologna, Mercury, 1580, bronze, 187 cm high, Museo
        Nazionale del Bargello, Florence, 235 | Tintoretto, The finding of St Mark’s remains, c.
        1562, 405x405 cm, Pinacotecca di Brera, Milan, 236 | 
    
      |  gardner 15 11
 |  
      gardner 15 18 | 
    
      |  gardner 1612
 |  | 
    
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      | Tintoretto, St George and the dragon, c. 1555-58,
        157.5x100.3 cm, National Gallery, London, 237 | El Greco, The opening of the Fifth Seal of the
        Apocalypse, c.1608-14, 224.5x192.8 cm, Metropolitan Museum, New York,
        238 | 
    
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      | El Greco, Brother Hortensio Felix Paravicino,
        c.1608-14, 113x86 cm, Museum of Fine Arts, Boston, 239 | Hans Holbein the Younger, The Virgin and Child with the
        family of Burgomaster Meyer, 1528, 146.5x102 cm, Schlossmuseum,
        Darmstadt, 240 | 
    
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      | Hans Holbein the Younger, Anne Cresacre, Sir Thomas
        Moore’s daughter-in-law, 1528, chalks on paper, 37.9x26.9 cm, Royal
        Library, Windsor Castle, 241 | Hans Holbein the Younger, Sir Richard Southwell, 1536,
        47.5x38 cm, Ufizzi, Florence, 242 | 
    
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      | Hans Holbein the Younger, Georg Lisze, a German
        merchant in London, 1532, 96.3x85.7 cm, Gemäldegalerie, Staatliche
        Museen, Berlin, 243 | Nicholas Hilliard, Young man among roses, 1587,
        watercolour and gouache on vellum, 13.6x7.3 cm, Victoria and Albert
        Museum, London, 244 | 
    
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      | Pieter Bruegel the Elder, The painter and the buyer,
        1565, pen and ink on brown paper, 25x21.6 cm, Albertina, Vienna, 245 | Pieter Bruegel the Elder, Peasant Wedding, c. 1568,
        114x164 cm, Kunsthistorisches Museum, Vienna, 246 | 
    
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      | Pieter Bruegel the Elder, Peasant Wedding, detail, c.
        1568, 114x164 cm, Kunsthistorisches Museum, Vienna, 247 | Jean Goujon, Nymphs from the Fontaine des Innocents,
        1547-49, marble, 240x63 cm each, Musée National des Monuments Français,
        Paris, 248 | 
    
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      | Jacques Callot, Two Italian clowns, c. 1622, etching
        detail from ‘Balli di Sfessania’, 249 | Federico Zuccaro, Taddeo Zuccaro at work on palace
        scaffolding, watched by aged Michelangelo while Fame trumpets his
        triumph, c. 1490, 26.2x41 cm, Albertina, Vienna, 249b | 
    
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